The FADER Weekend Reading List

8 great articles from this week, featuring digital breakup artifacts, the brain’s music circuit, and Ta Nehisi-Coates on the Nina Simone biopic.

March 18, 2016
First The Breakup. Then The Screenshots.

Alana Massey, The Cut

If you are a human living in today's world, and have gone through a breakup, then it's probably safe to say you've dealt with the digital artifacts of a relationship post-heartbreak. The always on point Alana Massey delves into the neuroses of storing photos and screenshots—"These files are stored under the safety of phone passcodes and in file folders buried deep on our laptops, which we diligently close to the world when our bodies are not directly in front of them...A screenshot text message exchange is saved by one party and forgotten by the other until it emerges as evidence in a quarrel." Your phone and laptop become private archives of what eventually becomes a past life. To delete, or not to delete, that is the question.

The Writer Behind So Sad Today Is A Very Real Adult

Juliet Escario, The FADER


In advance of her forthcoming collection of essays, Melissa Broder (the brains of @sosadtoday) spoke with The FADER about anxiety, art, nicotine gum, and difficult love.

Your Brain’s Music Circuit Has Been Discovered

Daniel A. Gross, Nautilus


Scientists have just found that there is a specific part of your brain that recognizes music, and nothing else. That means that there's probably "something in the human brain that causes groups of humans to engage in musical behavior," as Gross' interview subject, DJ-turned-neuroscientist Josh McDermott says. He explains that music is different from language in that it "doesn’t denote specific, concrete things in the world, like something you would say, but it obviously expresses something, typically something emotional.” The urge to make and listen to music is biological, and that's some cool as hell food for thought.

Out Here, No One Can Hear You Scream

Kathryn Joyce, Huffington Post


An intense and disturbing account of the sexual harassment that occurs in the United States' national parks, following this January's announcement from the Department of the Interior’s Office of Inspector General that they had “found evidence of a long-term pattern of sexual harassment and hostile work environment.”

The Art Of The Smear

Dune Lawrence, Bloomberg


"I saw the photo first, me in a bloody wash of red with 'RACIST' pulsing over my face," Lawrence begins her tale of being trolled and harassed online. And it's true—when you google "Dune Lawrence," one of the first pages that comes up is a slanderous post from a website called TheBlot, claiming, in upsetting terms, that Lawrence is racist. "I wanted to fight back," she continues, "and I also wanted to hide. I haven’t been able to do either."

At SXSW Interactive, A Modern Civil Rights Movement Grows

Jason Parham, The FADER


At the beginning of SXSW, during the festival's interactive programming, The FADER's Jason Parham spoke with startup CEO Stephanie Lampkin and MVMT50's Donell Creech about disrupting a very white and very male tech world.

The Fugitive

Robert Kolker, New York Times


During WWII, a Norwegian man named Jan Baalsrud escaped the Nazis, became the target of a nationwide search, got buried by an avalanche, amputated his own toes, and became a folk hero. Robert Kolker visited Toftefjord to retrace Baalsrud's steps and speak with those who grew up learning his story (and some who were there when he returned).

Nina Simone's Face

Ta Nehisi-Coates, The Atlantic


Modern legend Ta Nehisi-Coates on the recent controversy concerning the casting of actress Zoe Saldana in the role of Nina Simone (and the darkening of her skin, and the prosthetic nose, etc). "There is something deeply shameful in the fact that even today a young Nina Simone would have a hard time being cast in her own biopic," he writes. Must-read.

The FADER Weekend Reading List