Each week, The FADER staff rounds up the songs we can't get enough of. Here they are, in no particular order.
Spotify and Apple Music playlists, or hear them all below.

I love when a song doesn’t need to blast the volume to still bang. Peruvian singer-songwriter and producer Daniela Lalita’s new track “Tac Tac,” the title track from her forthcoming EP (out June 30) has a deliciously mischievous quality, like a sinister child’s song somehow turned into a delirious club track. —Tobias Hess

At his best, Chance the Rapper tosses off bars that feel like straight sunshine. That’s the case on “Barbie Doll,” Chance swerving through a “big night / espresso martini, SOHO” with aplomb. But with a svelte and plush track like this, of course he’d bring his A-game: Florida superstar-in-the-making Hurricane Wisdom is inviting and poised on this soulful midtempo jam. —Vivian Medithi

“Lao Shi,” which means teacher in mandarin, is a coy, sweet, and potentially very sexy pop song about asking someone to teach you how to love. It’s written by Danish songwriter Helena Gao, who worked on Zara Larsson’s Girl Trip but oozes potential as left-field pop’s next obsession. —Steffanee Wang

Lagos-born singer Deto Black just made the summer afro-pop anthem for alt baddies. If you don't know what that means just press play. —SW

Brooklyn-based, RVNG Intl.-signee Frances Chang’s new song “Is affect real?” is philosophically potent and emotionally ruminous, but its true sparkle lies in its lush and shifty orchestration. Pianos, strings, pauses, breath, and stacked vocals populace this strange world of sound. —TH

Kim Petras’s best song in her catalogue is also probably my favorite song of the year: a gorgeous pop rock ballad exploring the complexities of identity and self transformation, both universally relatable and granularly, beautifully specific. Read the story behind this standout track from Kim Petras’s interview with The FADER here. — TH

Many have tried Tina Turner-era pop rock anthemics in recent years, but no attempts have hit as hard for me as french chanteuse YSEULT’s cue-credits epic, “NOW OR NEVER.” It was put out independently, but it was surely made with a major label release’s grandiosity. —TH

The latest single from Bay Area producer Tomu DJ merges her love for ambient and club music alike. The gauzy synths of “Yeaaa” are frequently torn aside by punishing 808s as a swirl of hazy samples echo in the haze. When a drum break finally kicks in, it feels like relief. —VM

This group of indie-electronic bean sprouts are having way too much fun with their brain-scratching, bit-crushing synths. Short, catchy, buzzy, this track is enjoyed best at max volume and on repeat, like everything The Sound Chalk Makes releases. —Drew Neiman

Matt Proxy is on a creative tear with his singles this year, and “knots” is no exception. There is some beautiful maximalist production here with touches of hyperpop, alt-rock, and something else in between. —DN

This R&B nugget is like flipping to the cold side of the pillow, where that pillow is JPEGMAFIA’s most provocative and esoteric album to date. The rapper had to pop out and remind us that he can also do what the normies do, he just chooses not to. —DN