Interview: Andre 3000

andre_3000

These days, when Andre 3000 shows up on a song, it feels like a bolt of lightning. In the history of hip-hop there are a lot of artists that could reasonably be called the greatest ever for different reasons—but Andre, due to some combination of his insane songwriting talent and penchant for reclusiveness, occupies a pretty unique place. We got on the phone with him and ended up speaking about what it means to get older in rap, his thoughts on nostalgia, and, of course, Outkast.

“DoYaThing,” your collaboration with the Gorillaz and James Murphy recently came out. Now there’s a 13-minute version as well. Can you tell me how that came about? It’s a funny thing, like the first half of the song that’s being played now on the internet, we tackled that part of the song in one day. I think we’d just come from lunch and we were just sitting around. Damon [Albarn] actually said that he was riding in the street on his bike and he ran into a really famous producer, and this famous producer, you know, he’s well known around town about his great great great ideas. So it’s just funny because Damon asked this producer, you know, “How’s it going today man?” And his reply was kind of like, Man, everything in my world is perfect. Like, I can do no wrong. Like a real kind of—not conceited, but an, Everything-I-do-is-excellent answer. And so I was like, Wow, he sound like he must be the shit. We started playing and I was messing around, so those vocals that you hear on the end—I was actually in the control room on the microphone. I wasn’t even in the vocal booth. I was running around the studio and I was sweating and running and we were playing. You can actually hear me. Later, I say, “I run away from the mic.” I was actually running away from the mic and running back to the mic. It was just really a freestyle thing. It was fun, so we just kept it. We knew it was tastefully vulgar, but we thought it was appropriate, and of course we couldn’t release it under the Converse banner because it was tastefully vulgar, but I thought it was just a good moment. And that’s what music is about, capturing those moments.

You’re in a place in your career where you can do pretty much whatever you want. How do you decide who to collaborate with? Most of the time it has to be the music. The music has to kinda move me in some kind of way. Sometimes it’s emotionally, sometimes it’s just being there supporting another person. Even the Chris Brown remix—of course I love the beat, but at that time a lot of people were on Chris Brown as a human being. And I know he’d gone through his troubles or whatever and I just was like—I just wanted to stand by him and be like, Hey, you know, you can’t really charge a man forever and condemn a man forever. So it’s really just like a support thing. I thought it was a cool thing to do.

Every time you do one of these remixes, it feels like you’re really saying something, and not just doing empty preaching to your audience I definitely don’t want to be preaching but sometimes—it’s all thoughts, it’s a whole thought. That’s all it is, is thoughts.

Does writing come easy to you now? I write all the time. Like I write down thoughts that I think would be interesting or things that are kind of just concerning me at the time. Sometimes I write them on a napkin, sometimes I type them in my phone. And when it comes time to do music, I go through and see what thoughts work for this song.

Are you writing them in rhyme form? Or are they notes? Both. Sometimes they’re in rhyme and sentence, and sometimes they’re just a thought. Sometimes it’s a melody. With phones now they have the recorder on it, so I can sing melodies or I can say lyrics right into my phone.

In the last couple years, it seems like you’ve been excited about rap and rapping again. I’ve been excited about what new artists are bringing to rap. I notice how it’s really just a continuous conversation, a lineage thing. In high school it was all about A Tribe Called Quest and Souls of Mischief, and Too Short and 8Ball & MJG and UGK for us. And we just kept the torch going. Now I talk to Drake, and I know he had to be like ten when he was listening to what we were doing. You just never know who’s listening until you hear a connection. I didn’t even know Drake dug my music, I just liked him as a rapper because I felt he had a balance. I didn’t even know that he grew up listening to me. But it’s cool to know that it’s a real lineage thing. I’m happy to see Kanye and Wayne and Drake and all these new artists. They inspire me in a way because they reach back and they say, “Hey, we want to get you on these songs.” I don’t rap every day. I don’t sit around writing raps like that. And when these artists call, it’s kind of like they get me going. And I really wanna just be good for them. I want to impress them or have them be happy to say, “Okay, he did well on my song.” I don’t want to be messing their song up.

Any time you do a guest verse its treated like audio gold. Does that put pressure on you? I hate to be in that place, but it’s a blessing and a curse because I love to be asked to do these things. Now people judge every word so strongly. Even if it’s just an okay verse, they’ll say this and that. I hate when that happens. I guess the novelty of it is more exciting than what’s actually there.

So people get too caught up in the idea that you’re doing a verse and make a decision before they’ve really listened to it? No, no. I think true fans—they listen for the words and they pay attention to that. But I think overall it becomes like, “Oh, okay, what’s going to happen now?” It becomes an event. And that’s scary. It’s scary when people are just waiting for your next verses. So when I’m writing it’s a scary thing to know that even if I’m saying a verse, I know that people are listening now. At one point in time, I would have more fun when people weren’t listening. You’re always better when people aren’t watching the experiment.

Can you pinpoint when the expectation started weighing on you? Not specifically. Any time I’m on a song now it’s kind of like, Oh, what’s the verse? I’m judged pretty hard. I think we’re living in that kind of world now. I would almost hate to be a new artist right now because people judge you so hard.

You get judged against the entire history of rap, on top of everything else. Yeah. And if you don’t have titanium skin, you’ll really fall. Especially if you read the internet. I don’t even read the internet anymore. I just don’t. Because it’s too much. I mean praise and people shooting at you. It’s just too much. You should just be doing it.

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POSTED March 5, 2012 7:00PM IN MUSIC INTERVIEWS, MUSIC NEWS Comments (77) TAGS: ,

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COMMENTS

  1. King Makers says:

    Respect to Andre 3000! can’t wait for his album to drop!

  2. Pingback: MissInfo.tv » Andre 3000 Tells The Fader: “I’m Going to Be in Outkast Forever”

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  4. Pingback: Andre 3000 Explains How He Picks Collaborations by Steven J. Horowitz « mediafresh

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  6. Pingback: ANDRE 3000 TALKS TO THE FADER ABOUT BEING AN OUTKAST « Dopefiles

  7. Chubby says:

    Wow! This is the best 3000 interview i’ve read in years… totally let him speak and thats truly appreciated from an Atlien. Kudos, Fader.

  8. The Company Man says:

    This is truly a great interview. Great journalism.

  9. Clarence "Jah C" Fruster says:

    Simply a pleasure to read this. The questions were spot on with regards to what I, essentially a lifelong Outkast/3 stacks supporter, wanted to know.

    Awesome.

  10. Pingback: Andre 3000 Dishes On His Love For New Rappers, Making His Fans Happy and Why Oukast Is 'Forever' |

  11. Pingback: Andre 3000 Tells The Fader: “I’m Going to Be in Outkast Forever” | Rise N' Pine

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  13. Pingback: Andre 3000 Breaks Down How He Selects Collaborations | MusicDolphin.com

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  16. Pingback: Andre 3000 Says “OutKast Isn’t Dead” | HYPETRAK

  17. Pingback: Rap-Up.com || André 3000 Talks Support for Chris Brown and Drake, OutKast’s Future

  18. Pingback: read: andre 3000 – fader mag interview (2012) « weworemasks.

  19. Pingback: Andre 3000 Admits To Being Inspired By Drake | ..::That Grape Juice // ThatGrapeJuice.net::.. || Thirsty?

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  22. Pingback: Andre 3000 says “OutKast Isn’t Dead.”

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  25. Pingback: André 3000 Talks Support for Chris Brown and Drake, OutKast’s Future #Boyboytv » BOY BOY TV

  26. Pingback: Andre 3000 On Chris Brown, Outkast And His Greatest Verse In Recent Memory

  27. Pingback: Radio King Online | Blog | Andre 3000 Talks DoYaThing, Dealing With Pressure, The State Of Hip-Hop & More

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  33. You guys should check out this Andre 3000 mix tape I did

    DJ R to DA IZZA Best of Andre 3000: 3 stacks
    Listen and download here…
    http://www.concretecakes.com/dj-r-to-da-izza-3-stacks/

  34. Marco says:

    Hi,

    just started a new music prject. You can download all the album for free. Give it a chance!

    http://www.indiegogo.com/Saturday-8-am-Album?a=466768

  35. Charles Darwin says:

    Chris Brown.

    CHRIS BROWN.

    Yeah real cool Andre..

  36. Pingback: Andre 3000 On Chris Brown: 'You Can't Condemn A Man Forever' |

  37. Pingback: Andre 3000: Supporting Chris Brown Was ‘Cool Thing To Do’

  38. rachel says:

    NEW VIDEO: “ROOMS” dir by RAYE 6 (OFFICIAL VIDEO) DP & EDITED BY ROB LEE http://www.youtube.com/watch?v=WIxHcyhz92w&list=UUrVU7AQ0EbjepCsf2R5D93w&index=1&feature=plcp

  39. Pingback: André 3000 Defends Chris Brown : Celebrity Smack: Gossip and Entertainment Blog

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  41. Pingback: Andre 3000 Denies Outkast Breakup « Star Talk

  42. Pingback: Andre 3000 Denies Outkast Breakup | | DJVENOMNYC.com  - Entertainment News, Music, Videos, Events & More!DJVENOMNYC.com  – Entertainment News, Music, Videos, Events & More!

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  48. Sualel says:

    Please Andre……..give us another Outkast album…u know Big is ready….always ready…..I’ll forever stay to true and down since 94!!!!

  49. Pingback: Andre 3000 Denies Outkast Breakup | jacobW.com

  50. Pingback: Andre 3000 Denies Outkast Breakup - Slash Pop