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THE FADER MAGAZINE
Current Issue #55There's so much in our summer music issue that we can barely contain it all. From Estelle's breezy pop to Miles Benjamin Anthony Robinson's depressed anthems, to Crookers' out of control Italian raves. From the new cumbia of Buenos Aires to the next crop of NYC hitmakers Sean C & LV and Ryan Leslie to Abe Vigoda's LA melancholy—it's all in between our glossy covers. That's not even mentioning our stellar Gen F lineup and all the other stuff packed into the mag that is going to make our summers.
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What's good in grime and bassline
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Dancehall and the Ghetto Archipelago
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Rock and Pop from across the pond
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NOW PLAYING (On Other Blogs)
Wild Beasts, "Treacle Tin" (YouTube)
Wale f. Young Chris, "Whole Time" (Elitaste)
Clipse, "Fast Life" (OnSmash)
Indian Jewelry Live on WFMU (Beware of the Blog)
Caron Wheeler B-Sides (Mike B vs Dickie G)
DJ Mujava, "Township Funk" video (Discobelle)
One Day As A Lion, "Wild International" (Che Sing The Cool via OkayPlayer)
Guinean Sign Paintings (Voodoo Funk)
F2
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Schnipper's Slept On
This is so you do not sleep, because right now you are sleeping. “Ladies of Cambridge” the possibly ee cummings nodding B-side to the “Mansard Roof” 7-inch single, piecemeals to me an explanation as to why I like Vampire Weekend so much, something that has baffled me since I mopped my own sweat—from my brow, from my neck—with a three day old napkin while watching them play in a concrete room in the summer, baffled me since I rode the local-running subway all the way to 116th Street early on a tired afternoon to see them play outside in the late summer sun, baffled me since I listened to Benjamin Kunkel’s insanely boring and long introduction speech before they played at a party in a synagogue for books on tape. Why do I like this? I’ve asked myself about C-list Beyonces and ‘90s mosh metal and not expected a decisive answer; stupid undictateable taste is what it is. But Vampire Weekend, though that answer should be easy, it isn’t.
“Ladies of Cambridge,” which sounds like milkshake-sharing music, is perfect. Being the non-album B-side to a 7-inch single shouldn’t put baby in a corner in the democratized MP3 world of today. But why aren’t the blogs on fire? I’m on fire, so is “Ladies of Cambridge.” Here’s why (I think?):