From Kendrick Lamar's “Not Like Us” to Tinashe's “Nasty,” these are the songs we had on repeat this year.
From Charli xcx's Brat to Ravyn Lenae's Bird’s Eye and Bladee's Cold Visions, these are The FADER's 50 best albums of 2024.
Advance Base's Owen Ashworth discusses the fictional town he created for his new album, 'Horrible Occurences,' in a new interview with The FADER.
Seed Cake on Leap Year, a collection of early recordings from Cass McCombs, quietly reveals something essential about his creative instincts.
With a new tribute album celebrating the legacy of his solo debut, Hosono House, Haruomi Hosono's radical creative energy continues to ripple across borders and generations.
The FADER talks with Office Culture's Winston Cook-Wilson about the band's new album, 'Enough,' sampling, and making it a community effort.
On her third album, Acadia, guitarist and composer Yasmin Williams pushes even further beyond folk conventions, incorporating jazz, bluegrass, and ambient music.
Adeline Hotel’s Whodunnit relies on stream-of-consciousness lyrics, spontaneous musicianship, and defiant open-heartedness instead of bitterness.
Pulitzer Prize-winning composer and sound artist Ellen Reid's latest album reimagines the wildly ambitious SOUNDWALK project.
Allegra Krieger’s life was upended by a fire in her Manhattan apartment block last year. On her fourth album, she zooms and sees life in all of its randomness.
Japanese underground artist Hakushi Hasegawa's debut album Mahōgakkō is a collection of songs designed to induce euphoria.
On his third solo album, budding indie alt-country star MJ Lenderman weaves absurd imagery into every melancholic verse.
