As Alex G's music becomes more confounding and compelling, his process becomes more mysterious — even to him.
isomonstrosity's self-titled debut masterfully applies the pop process to orchestral music, with help from Danny Brown, Empress Of, and Bryce Dessner.
His new album sat on the shelf for three years. Now, Cakes da Killa is ready to make his long overdue statement.
After a brush with rock stardom, Hagop Tchaparian fell out of love with music. His debut solo album, Bolts, illuminates the communities that inspired him again.
Modern-day pop icon Carly Rae Jepsen tells Alex Robert Ross why music is the best thing in the world on the new episode of The FADER Interview.
On her seventh album, Grammy-nominated country singer-songwriter Courtney Marie Andrews sounds hopeful, determined, and completely at ease.
NNAMDÏ's new album, Please Have a Seat, is as curious as anything he’s released — but this time he’s driven by his melodies.
John Rossiter explains how U.K dance music and finding a balance between sincerity and irony influenced the making of Young Jesus' new album Shepherd Head
On the latest episode of The FADER Interview, Whitney talk about falling back in love with Usher and Gwen Stefani when making their new album, SPARK.
Rachika Nayar's new album, Heaven Come Crashing, is a journey into late-night trance clubs and slick film soundtracks.
John Ross was six months into writing Wild Pink's fourth album when he was diagnosed with cancer. Now he says it brought a "focus" to the recording process.
On his latest single, Dougie Poole does away with the nods to life as a millennial that characterized his last LP. It’s his most affecting song yet.
