Lily Allen's new album 'West End Girl,' following her divorce from ex-husband David Harbour, hits its climax on "Tennis" and "Madeline," two songs of expert storytelling.
In April 2025, Tame Impala's Kevin Parker attended Blazing Swan, a regional burn in Western Australia, while making his album Deadbeat. He tells The FADER about the experience.
After is a Los Angeles band committed to crafting a utopian vision of early 2000s pop music in 2025. Read a review of their EP, After 2, out October 17.
The FADER remembers D'Angelo and looks back at his 2000 cover story where he talks about Prince, the state of R&B, and his creative process.
Read The FADER's review of five standout songs from Pinkpantheress's new remix album Fancy Some More? including tracks with Zara Larsson, Yves, Oklou, and more.
Get to know Natanya, the rising London singer-songwriter whose project, 'Feline's Return' has already made fans out of Doechii, PinkPantheress, Ravyn Lenae, and more.
Venerated indie label Ghostly International will release 'We'll Never Stop Living This Way: A Ghostly International Catalogue,' a glossy, 500-page coffee table book that dives into its archives.
Ahead of the 2026 Grammy nominations, The FADER shares our picks of the artists that should be nominated in the major category of Best New Artist.
The debut album of Los Angeles band Rocket, 'R is for Rocket,' is ferociously defined guitar rock that pursues technically sound and melodically driven music. Read our review.
Fans are speculating that a song from Taylor Swift's new album 'The Life of a Showgirl,' which appears to have been leaked with unverified lyrics, is about Charli xcx. We explain why.
Criminal lawyer Michael J. Alber, Esq. breaks down the knottiest details of the Celeste Rivas homicide case and how the public’s reaction is impacting the investigation.
On 'Here For It All,' her first album in seven years, Mariah Carey is unguarded and in rare fashion taking stock of how far she's come.
