On ‘End of the Middle,’ English singer-songwriter Richard Dawson chooses domestic drama over the fantastical sagas of his earlier work.
An interview with Mexico City rock band Diles que no me maten, who make improvisational, jazz-tinged rock in a bubbling local scene.
New York rapper MIKE’s new album ‘Showbiz’ is a tale about touring and the stark realities of life as a working artist. Read The FADER's review here.
Argentine experimental pop/rock star Juana Molina put on a near-perfect performance at Mexico City’s Foro Indie Rocks! last week. Read our review.
Read our scene report of Damian Lazarus’ Day Zero festival in Tulum, complete with a swimmable cenote and sets from Fatboy Slim, Major League Djz, and more.
From Kendrick Lamar's “Not Like Us” to Tinashe's “Nasty,” these are the songs we had on repeat this year.
skaiwater, Cindy Lee, and DJ Anderson do Paraíso’s sound nothing alike, but each flaunts convention in their own way,
From Charli xcx's Brat to Ravyn Lenae's Bird’s Eye and Bladee's Cold Visions, these are The FADER's 50 best albums of 2024.
We glimpse inside the life of LUCY in the weeks surrounding the release of his new project, ‘Cooper B. Handy’s Album, Vol. 9.’
On his new EP Possession, Shabaka Hutchings hits a spiritual frequency that resonates long past the project’s final notes.
MIZU’s new album, initially conceived as the score for a dance piece, finds the experimental cellist exploring her strangest textures and darkest colors yet.
20 years after its initial release, MM..Food is still the brightest star in MF DOOM’s universe.