In a world of shit, I try to remind myself often of the things that really get me hyped. To be quite honest, there were not that many things that accomplished that in 2016 — but that only made the special parts more special. Here's everything that meant the most to me this year.
The "No More Parties In LA" / "Real Friends" leak
Ah, January. It was the beginning of Kanye's rollercoaster 2016. So long ago now, it seems, when we played the leak on the speakers in the office. "No More Parties In L.A." later became my favorite TLOP cut.
VCR at The Silver Dollar Room in Toronto
In April, I popped up to Toronto for a weekend and ended up at legendary venue The Silver Dollar Room (apparently Elvis Presley played his first show there?!) to see Sheer Mag. This wild band VCR opened for them — they were all wearing goggles and wacky outfits, yelling with a no-wave fervor. It was invigorating.
ANTI on repeat in Berlin
Perfume Genius at FORM: Arcosanti
When I was sent off to a tiny desert town to cover FORM, I didn't know what to expect. It ended up being incredible — I saw Perfume Genius soundcheck in an amphitheater in the middle of a sunny day, and then later that night his performance rocked my world. Also, I met my boyfriend there. He took these photos. We're in love.
Josh Gondelman, Phoebe Robinson, and Michelle Wolf at The Jewish Museum with my mom
Jessica Williams was supposed to be at this event, but she never showed up. While I'm still dying to see her, her partner in crime Phoebe Robinson (their podcast 2 Dope Queens rules, BTW) did the damn thing without her, and it was fucking hilarious. Fellow funny human Josh Gondelman organized the whole, brilliant affair, and my introduction to Michelle Wolf blew me away. Also, there was an open bar and free popcorn.
Young Thug's "Webbie" at the Grand Canyon
My man and I are doing the long distance thing, so in September I flew out to Arizona and we went to the Grand Canyon. Jeffery is close to both our hearts, and "Webbie," with its calmly far-reaching production and sublime pockets of contemplation, is our mutual favorite, so of course we listened to it on the way there. Plus, when the ever-romantic Thug sings, “Lil mama overseas, I'ma Skype her,” I think of him.
When Forth Wanderers opened for LVL UP at Market Hotel
We freaked when they played "Slop." “I love too much/ to hurt this bad/ And I laugh too much/ To be this sad,” sings Ava Trilling, her voice oozing with emotion. I remember being 17, like Trilling was when she wrote "Slop," and feeling so much I thought there must be something wrong with me. Turns out, feeling deep feelings is a good thing — I wish I’d had Trilling’s courage and clarity back then.
This chicken running in shorts
Mahershala Ali in Luke Cage
I love villains. Ali's poignant performance in Moonlight was brilliant, and he brought that same depth to his role as Cottonmouth in Netflix's excellent Luke Cage, which I binge-watched.
Beyoncé and the Dixie Chicks at the CMAs
In the most beautifully feminist moment of the year, the Dixie Chicks resurfaced to perform “Daddy Lessons” at the CMA Awards with Beyoncé. My girl power heart swoons when Natalie, Emily, and Martie’s twangs intertwine with Bey’s — especially when the gals weave in “Long Time Gone.” [praying emoji] The fact that they uploaded it to SoundCloud, and available for free download, was the benevolent cherry on top.
NBA YoungBoy's 38 Baby
Meeting Hamilton Leithauser at BBC 1 Radio
At 15, I was changed by The Walkmen, specifically Hamilton Leithauser's raw, impassioned voice and intimate lyricism. A decade or so later, I got to meet Hamilton when he graced us with a live performance of "In A Blackout" that one time Duncan and I did a BBC1 Radio takeover. Hamilton’s voice is just as powerful to me now as it was when I first heard it.