Director Zia Anger discusses My First Film, now streaming on MUBI, and the decade she spent reclaiming a project she was forced to abandon
Read an interview with co-directors Angela Patton and Natalie Rae on their new documentary Daughters.
Read an interview with Lily Collias, the star of Good One, a movie about a three-day camping trip that forever alters family dynamics and a lifelong friendship.
Burial will score director Harmony Korine's forthcoming movie Baby Invasion, a surreal home invasion thriller that uses AI to swap the intruders’ faces with those of babies.
Japanese composer Eiko Ishibashi discusses the circuitous path to her score for Ryusuke Hamaguchi’s Evil Does Not Exist, out now in album form.
Brooks Ginnan discusses their starring role in JPEGMAFIA’s new music video for “don’t rely on other men.”
Director Jane Schoenbrun, plus L’Rain, Florist, and Sloppy Jane, talk about the music that accompanies the new A24 movie, I Saw The TV Glow.
Director Vera Drew discusses her first time feature The People's Joker and the legal loopholes she had to jump through to get it in theaters.
Back To Black and Bob Marley: One Love have been savaged by critics. Will any of the upcoming wave of blockbuster music movies fare any better?
Robert Ouyang Rusli's score for 'Problemista' brings the anxiety of Julio Torres' new film to life.
It's time for the Oscars to honor the films that really matter, the ones made for dads and those over in a tight 90 minutes.
Oscars 2024: 10 more great movies for fans of Oppenheimer, Barbie, Past Lives, and more.
